organ wars raimondo mazzon

organ wars raimondo mazzonORGAN WARS (CVLD319) Available in HD 2ch Stereo File, 5. 1ch Multichannel or SACD Hybrid (SACD 2. 0, 5. 1 and CD) The Music Of John Williams 1 Jaws main theme 2: 29 2 Close Encounters Of The Third Kind 4: 31 3 The Empire Strikes Back Suite 10: 05 4 Can You Read My Mind? from Superman 3: 18 5 Schindler's List Suite 9: 29 6 Memories Of A Geisha, Sayuri's Theme 2: 39 7 Empire Of The Sun Suite 8: 24 8 Princess Leia's Theme 4: 31 9 The Throne Room & End

ORGAN WARS (CVLD319) 

Available in HD 2ch Stereo File, 5.1ch Multichannel or SACD Hybrid (SACD 2.0, 5.1 and CD)

The Music Of John Williams

1 - Jaws - main theme 2:29
2 - Close Encounters Of The Third Kind 4:31
3 - The Empire Strikes Back - Suite 10:05
4 - Can You Read My Mind? - from Superman 3:18
5 - Schindler's List - Suite 9:29 
6 - Memories Of A Geisha, Sayuri's Theme 2:39
7 - Empire Of The Sun - Suite 8:24
8 - Princess Leia's Theme 4:31
9 - The Throne Room & End Title 6:46

All arrangements by Fabrizio Castania
Raimondo Mazzon, organ

24bit/88.2kHz original recording made at Auditorium Pollini, Padova, Italy, on September 27, 28, 2019

Production: VELUT LUNA
Executive producer: Marco Lincetto
Musical Producer: Fabrizio Castania, Marco Lincetto
Recording, mix and mastering: Marco Lincetto
5.1 mix: Marco Lincetto, Matteo Costa
SACD authoring: Matteo Costa
Photo: Marco Lincetto
Layout and Design: L'Image

John Williams, among the greatest film score composers, is undoubtedly also among the most refined contemporary orchestrators. Hence the challenge of transferring famous film scores like Jaws, Close Encounters of the Third Kind, Memoirs of a Geisha, passing through Schindler's List and arriving at true cinematic "cults": Star Wars and The Empire Strikes Back, to an instrument like the organ.
And not just any organ, but the grand organ of the "Cesare Pollini" Auditorium, home of the Padua Conservatory of Music.
A unique repertoire of its kind, which allows all the registers of this instrument to be highlighted, from pianissimo to the symphonic "tutti", considering that the choice was made to give space to John Williams' various musical languages, from the most celebratory and epic to the most intimate and meditative, to satisfy the tastes of those who know the more blockbuster Williams, but also those who know or want to delve deeper into a less known but equally brilliant Williams.