SKU: 55648060057

The Journal of Australian Ceramics - APRIL 2026

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The Journal of Australian Ceramics - APRIL 2026The Journal of Australian Ceramics, Vol 65 No 1, April 2026 FOCUS: HEALTH & GROWTH CLAY IN TRAUMA INFORMED PRACTICE REGENERATIVE CERAMICS CULTURAL APPROPRIATION IN CERAMICS TRANSFORMING A SMALL KILN TO WOODFIRED What does a healthy ceramics community look like? How is it that this magical material shifts our thinking, heals our bodies, and creates social connection in such a universal manner? What are the considerations we should be prioritising to

The Journal of Australian Ceramics, Vol 65 No 1, April 2026

FOCUS: HEALTH & GROWTH
CLAY IN TRAUMA-INFORMED PRACTICE
REGENERATIVE CERAMICS
CULTURAL APPROPRIATION IN CERAMICS
TRANSFORMING A SMALL KILN TO WOODFIRED

What does a healthy ceramics community look like? How is it that this magical material shifts our thinking, heals our bodies, and creates social connection in such a universal manner? What are the considerations we should be prioritising to develop a positive and culturally respectful practice? Is it time (or perhaps it is well beyond time) to be questioning the power structures within clay culture? What are the realities of people working in the discipline of ceramics today, and how do they feel about the varied hierarchies and the significant hurdles involved in developing skill, technical knowledge, and creative thinking?

In these pages, we hear from ingenious makers who have quite literally rebuilt their world from the remnants of angry bushfires, and others who are working in therapeutic practice with clay, or growing and healing within community. We see inside practices that are holding space for big questions about existing alongside difficulty and crisis, and the startling and moving work that results. We hope you enjoy reading these stories of health-focused care and creative growth. Thank you to everyone who has contributed to this Journal for everything you do to bring these stories to life.

Editor: Montessa Maack
Assistant Editor: Alison Smiles

Contributors to JAC 651: Yuhana Nashmi, Liane Fenwick, Samantha Mackie, Malcolm Greenwood, Tina Wheatley, Oriana Julie, Sarah Muir-Smith, Chantelle Baistow, Scott Elk, Louise Boscacci, Giuseppe Matteo Pappalardo, Jane Orme, Pam Gray, Rod Dilkes, Ian Dowling, Duro Jovicic, Kenny Pittock, Riti Malik, Gabrielle Powell, Daniel Lafferty, Sarah Christie, Robyn Phelan, Gillian Hodes, Maria Kraatz, Joanne Linsdell, Donna McDonald, pattie beerens, Wee Shiang Tay, Fiona Cuthbert O’Meara, Alexander Mamas, Gabriela Mello & Anne Kwasner

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SKU: 55648060057

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Vaelstorm
Cuba, US
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A fantastic resource for building your world
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A fantastic resource for building your world. This book focuses specifically on the life in your created world, with lots of useful advice on fleshing out the deities, different humanoid species, animals, monsters, and undead. I'm very much looking forward to the release of the other two books that will follow on from this one.
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Informative, but feeling like book was created to promote other things...
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There is some useful information in this book. Some possible story prompts and creative ideas for what a person can do with their work. Problem I find with constant mention of the authors books and what is in them. Makes it feel as I am reading that the author is advertising their other works to through the guise that they are teaching you about world building. There is still some little gems in the book. Just the motives for the creation of this book may have less about teaching and more about advertising.
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Good detailed read
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Excellent source for the aspiring fantasy writer. Helps breakdown world building into easy to understand sections allowing you to focus on the parts you need and ignore the rest
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Danielle Baum
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Fantastic series by a creative artist
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Amulet, a graphic novel by Kazu Kibuishi ( , ), is geared towards the 9-12 age group. However, the novel will captivate anyone that begins to read it as they are swept along a moving story with beautiful illustrations. Our young heroine Emily witnesses the death of her father in the opening pages of this novel. Emily, her mother, and her brother Nevin move into the home of their missing great grandfather. There are secrets lurking within the house, one that soon ensnares Emily's mom. She's dragged from the basement by a tentacle through an open door and Emily and Nevin must go on a rescue mission to another world. This story captivates the reader from the beginning. The reader is compelled to feel for the characters of the story, from Emily witnessing the death of her father to watching her mom being dragged away by some unknown creature. Although this is only the first part of the series the reader gets a true sense of the characters, their feelings, and their emotions and is left hanging at the end of this book and wanting more. What really sells the story are the illustrations as they capture and convey the moods of the characters and their surroundings. The drawings have a light airy quality to them, with a simple, but moody, color palette to show off the extensive use of shadows to convey emotions of the character in graphic detail. The reader is never left wanting or wondering what the characters are thinking, the colors clearly display what they feel--the age of the great-grandfather is written into the lines on his face, the fear and courage of Emily as she seeks to save her what's left of her family. As the story progresses a darker palette is used and we are left wanting the lighter colors to return. Something unique about the drawings is that when the story first begins the characters almost look undefined. While we can read their emotions they are merely shapes on a page. However, as the story progresses they gain more depth and emotion. This novel is a must read. A strong young heroine, with monsters and robots as well, enough to keep any crowd entertained. The moving illustrations and compelling story make this a great read and the book is highly recommended for all ages.
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A great book
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My grandson loves these novels. He's 9 and I've purchased the 7th now 2 to go
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Reviewed in the United States on April 14, 2026

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