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Description
Beatrice R16/4M - 16 Channel 1RU No call facility. 4 Pin Male XLRThe Glensound BEATRICE R16 is a versatile and fully featured 16 channel rackmount intercom with crystal clear audio designed for broadcast, theatre and professional audio applications. It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. It is also AES67 compliant. As such the BEATRICE R16 is fully
The Glensound BEATRICE R16 is a versatile and fully featured 16 channel rackmount intercom with crystal clear audio designed for broadcast, theatre and professional audio applications.It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. It is also AES67 compliant. As such the BEATRICE R16 is fully compatible with other manufacturers’ equipment using the Dante and/ or AES67 protocols.
This 1RU rackmount intercom was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
• 16 Channels Of Intercom
One single user connected to the unit can listen to and communicate with 16 separate locations on the network. Depending upon how the Dante network has been routed, the incoming audio circuits and outgoing circuits can be different locations.
• Configurable Speak Switches
Each channel's speak switch can be user defined to operate to your preference. The options are: Momentary, Latching or Intelligent Lever Key.
• Dante® Routing & Partyline
Audio routing to/ from other devices is setup using Dante controller which allows for point to multipoint routing on outgoing circuits (but only 1 single incoming circuit for each of the 16 channels). Therefore we’ve included an inbuilt fixed ratio 11 input 11 output mixer matrix with inputs and outputs connected directly to the Dante / AES67 network which allows for setting up partyline and group circuits.
• Onboard Mic & External Mic Input
A good quality, clear sounding microphone amplifier, designed for communication purposes, is fitted which also has the benefit of a compressor/ limiter circuit to help keep levels and intelligibility consistent even when the operator gets overly excited. This microphone amp has two microphone sources, either the inbuilt front panel mounted electret capsule which provides good voice intelligibility from normal working distances, or a balanced XLR input for connecting external gooseneck microphones. Twelve Volt Phantom power is also available and can be turned on/ off as required via an internal link.
• High Output Intelligible Loudspeaker
What’s the point of an intercom unit if the onboard speaker is so cheap that you can’t understand what is being said to you? We tried hundreds of different drive units before settling on the one used in the Beatrice R16. We chose it because it had a much cleaner sound and better frequency response for vocals than any other speaker on the market that would fit in a 1RU subrack.
• Mains or PoE Powered
An inbuilt wide range switch mode mains power supply is fitted for powering the Beatrice R16. It is terminated with a standard IEC plug, making it easy to plug in wherever you are in the World.
The unit can also be powered via the Ethernet cable by standard PoE (Power over Ethernet) on either of the copper Ethernet ports. The PoE power can be supplied by an external PoE switch or a midspan power injector.
• Redundant Twin Copper & Twin Fibre Ethernet Interface
When ultra reliable communications is needed for the utmost important jobs, glitch free redundant network circuits can be set up using the primary and secondary Dante network ports.
There are 2 copper Ethernet ports on RJ45s and also 2 fibre Ethernet ports presented as SFP slots (SFP modules not included). Redundant networks can be set up across any of these ports. These ports can also be set up as a network switch.
• GPIO
A solid state relay output is provided and is triggered when any speak key is on (useful for dimming external loudspeakers or red light controls).
In total there are 12 loop closure inputs. 10 of these control the first 8 talk keys and talk to group and talk to all.
The other 2 loop closure inputs provide internal & external LS cuts.
• IFB/ AUX Sources
Four different IFB/ Aux audio sources are received from the Dante network. Each of the four sources is associated with four outgoing talkback channels. If audio is routed to the(se) IFB/ Aux sources in the network then they are mixed in with their associated outgoing talkback channel circuit.
If a talkback key is on then the associated IFB/ Aux source is ducked by a user definable amount. If the talkback is not on then the IFB/ Aux source is routed to the channels' output with unity gain.
IFB/ Aux sources are very useful for distributing programme audio around an intercom setup whilst the ducking facility allows talkback to be heard over it.
• Microphone Level Meter
An eight LED front panel multipurpose indicator is used to indicate the outgoing microphone level.
• Channel Input and Output Gain Controls
For maximum flexibility, gain can be applied to incoming audio signals and outgoing signals separately. A row of LEDs indicate the current gain setting when a channels input or output is being adjusted.
• Monitor
All incoming talkback channels are mixed together to the headphones/ loudspeakers.
• Presence Indication
Front panel LEDs located next to the talk switches are used to indicate the presence of incoming audio on that channel. When audio is detected on the channel the LED is illuminated. The LED then stays on for a short period after the incoming audio stops to help the operator identify who has been talking to them.
• 4-Wire Connectivity
Two traditional analogue 4-wire circuits can be connected to two of the R16's intercom channels by utilising the versatile analogue inputs and outputs.
• Speak To All and Speak To Group
Two useful front panel controls are fitted. When pressed, the ‘Speak To All’ button will enable the operator to talk to all the outputs simultaneously and the ‘Speak To Group’ button allows the operator to talk to an easily assignable set of outputs.
• Speaker Output
As well as the front panel internal loudspeaker a balanced analogue output is provided for connecting to an external powered loudspeaker.
• Local Input and Output Circuits
For increased versatility there are 2 local balanced analogue audio inputs and 2 local balanced analogue outputs.
The inputs are routed directly to two output channels on the Dante/ AES67 network.
The outputs are fed directly from two input channels from the Dante/ AES67 network.
• Mixer Matrix For Partyline
For setting up simple groups and partyline circuits that could not be achieved via Dante controller or your AES67 router, an inbuilt fixed ratio mixer is supplied. It has 11 audio inputs direct from the network and 11 mix outputs to the network.
Shipping Notes
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.4 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 5
OBSESSED!!!!!
Format: Paperback, Format: Paperback
I gave it 5 stars because it deserves the flowers. I do wish the paper was a little better quality. I think it would help make the pictures pop more. Regardless, this book is worth every penny. I haven't found anything else like it. The book is clear, concise, and isn't bogged down with too many details - just the facts m'am. It's a perfect starting reference to send someone down 101 different rabbit holes. I hope someday he puts out a hardback version on thick, slick paper with beautiful, glossy photographs. That would be lovely. For now, this will more than suffice. You get just enough about each artifact to get you going. From there, you can decide how to use your favorite search engine.
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Reviewed in the United States on November 5, 2025
★★★★★ 5
A great reference for Biblical factual archeology
Format: Paperback
I just received this book and I am so excited. It is a great tool and reference for Biblical studies. Each artifact has a great photograph next to the quick eye catching dates, discovery, period, keywords and Biblical passage. Then a brief but to the point description. It is simple and effective. Very easy to refer when reading your Bible or if you are just interested in archeology. Each artifact is about 2 pages and nothing more which is perfect for references. What a great book!
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Reviewed in the United States on March 1, 2025
★★★★★ 5
Excellent and in-depth archeologic finds that authenticate Bible history.
Format: Paperback
Archeology is proving much of the Bible's history as true. This book really delves into various sites and provides a lot of detail. My type of reading.
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Reviewed in the United States on February 21, 2026
★★★★★ 5
Great information and pictures
Format: Paperback
Great information on Biblical sites, beautiful pictures, and a pretty book as well. I gave several of these to my family for Christmas. Everyone seemed to love them. The only thing I will caution you about is that the book is small.
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Reviewed in the United States on January 22, 2026
★★★★★ 4
Knowledgeable and delectable book.
Format: Paperback
This book shows an excellent archaeological evidence of the Bible accuracy of places, names, events, etc. and proving for the Christians that the Bible is a historical document as well as the inspired inerrant word of God.
The majority of the book is interesting and delectable, I mean, the pages where the author presents archaeological facts such as the artifacts and their correlation with people, places times, events and practices recorded in the Bible. But I do not like when the author make personal assumptions and do not present any proof of that. He says: it probably be…. it may be… Here I show three cases of this conjectures;:
1.The author seems to affirm that the triumphal entry of Jesus into Jerusalem, or at least, the name of this event, was derived from the Roman triumph celebration. He says (page 231), regarding to the Roman Empire and the life of Jesus: “By the time of Jesus, the requirements and meaning of a triumphal entry had shifted slightly from its earlier roots associating it with a conquering hero, as it became even more significant and representative of kingship and divinity”. He continues to say: “In ancient Roman culture, a triumphant victor, known as vir triumphalis (“man of triumph”) would enter the city in a celebration parade wearing the laurel wreath and a purple garment, which identified him with the royal and the divine, while riding in a chariot pulled by four horses, alluding to Sol the sun god”.
But if we compare the Roman triumph celebration with the entry of Jesus into Jerusalem described in the Bible, it is not derived from the Roman culture but is the exact fulfillment of the prophesy of Zechariah 9:9. I do not see any correlation between the two celebration; Jesus did not ride a horse but a donkey to signify peace, meekness and humility. It was not a pompous entrance of a conquering hero or king wearing a expensive garment and royal crown.
2.Even though, it is not possible to identify the location of the tomb of Jesus with absolute certainty; the author states (page 199) that the tomb of Jesus is located at the Church of the Holy Sepulchre possible based on “the restoration work to the edicule and an arcosolium tomb from the Roman period found in the church of the Holy Sepulchre”. The author also affirms without giving any proof that: “Christians in Jerusalem then passed down a continuous memory of the location of the tomb (of Jesus) from the time of the burial and resurrection in AD33 until construction of the Church of the Holy Sepulchre was started in about AD326”. But where are the records of that time? The author probably based his statement on Eusebius who lived in the 3rd and 4th centuries AD.
According to the history , the Church of the Holy Sepulchre was built by the Roman Emperor Constantine around 326 AD, when her mother the Queen Helena, wanted to replace the pagan temples with Christian churches; she met the Bishop Macarious of Jerusalem who determined the location where Jesus had been buried at the place where was a temple to the Greek goddess Venus. At the beginning of the construction of the church, a rock-cut tomb was found there and an edicule was built to protect the site. But later the edicule was destroyed and rebuild. More tombs has been found under this church. How to be sure or verify that this rock-cut tomb was the one where Jesus was buried?
3.The author is biased with respect to the Masoretic Text, he make a statement but does not support it with any evidence in this regard. Writing about the Dead Sea Scrolls (Page 173) he states: “And certain passages in the Masoretic text seem to have been intentionally modified to match ideas and theology of medieval Judaism.” it is a bad accusation.
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Reviewed in the United States on April 23, 2021
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